Miguel Ángel Perera went like a bulldozer through the street of Cehegin.
Lavished her with overwhelming truth bullfighting across two superb performances.
The first third of his two bulls was marked by similar pattern: rough sets in the output, threw back his coat to take off in two that were set, variety and improvisation, after which the audience stood and roared.
Both were nursed in rods, but first allowed in a task that arose muletazos linked with great continuity and accuracy.
More than the fifth, he lost his hands in the third muletazos each series and the smudged.
For the memory task was the beginning of his first, in which the bullfighter, hieratic, undaunted, made the statue while passing the bull by the strip, one and one python.
Closed the task to the fifth with a arrimón which left thighs rub the tip of the pins over and over again until the square erupted in a thunderous ovation.
And if not click twice cuts your tail.
Cayetano said the Veronica in her first.
Both sets of receipt and in a packaged remove.
With the crutch drew beautiful passages of great aesthetic composition and harmony of movement, but the bull began to spend more and more away and that marred the set.
He jumped right to kill and cut two ears.
The sixth was the black sheep of the run and while insisting sink his teeth, it seemed abbreviated.
For his part, Francisco Rivera Ordonez was about to cut the ear of the room for three outbursts manageable watching the laying and sartenazo sword in all black.
With the former, it was a dull point, not be finished either.
SHEET: Cehegín (Murcia).
Tuesday June 9.
Media input.
Toros de Orive, properly presented, noble and righteous forces, except the dilapidated complex and 6 °.
Francisco Rivera Ordóñez, mild cheers and clapping after intense minority request.
Miguel Ángel Perera, two ears and ear.
Cayetano, two ears and silence.
Source: Manolo Guillén